Click the blue icon to open the blue audio pan rubberband. To access that blue audio pan rubberband, click the small triangle next to Audio 1 to expand the audio track (just as you did when you used the red "volume" rubberband in Hour 7, "Adding Audio"). You can use the timeline's audio track blue "pan" rubberband to do most of the channel functions as well. Auto Pan lets you automate sound going back and forth from the right channel to the left. You can use Lowpass, for example, to create sound geared for a subwoofer or use Notch/Hum Filter to remove power-line noise (a narrow 60 Hz tone in the United States).įive effects handle one very basic function?adjusting where you hear the signal (left, right, or somewhere in between). Highpass removes low frequencies (it "passes" high frequencies through), Lowpass removes high frequencies, and the Notch/Hum Filter removes a specific, user-selected frequency. However, there's no reason I can think of to use them because the TC|Works TC EQ tool handles the features of all three Bandpass effects. These three effects remove specific audio frequencies. If you're not an audio engineer, some of the terms?Bandpass, Channel, and EQ?may be a bit obtuse. There are seven categories (eight if you count DirectX, but it merely opens the TC|Works tab). First, though, a few fundamentals:Įxpand all folders by opening the fly-out menu and selecting that option.Īs I did in Figure 10.4, drag a corner of the palette to open it wide enough to see all 24 audio effects icons. I'll take you through the TC|Works products in a few minutes. Those tools effectively replace 11 of Premiere 6.0's 20 audio effects, although Adobe still included them in Premiere 6.5.
#Equalizer settings adobe premiere 6.0 professional
Included in it is TC|Essentials, a suite of three professional audio-sweetening tools from TC|Works, a German company. Premiere's audio landscape improved with the release of version 6.5.
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